Atlas Harran Design Collection
Graphite pencil sketch of stacked wooden cutting boards of varying shapes, with a round board in front holding cheese, grapes and strawberries, drawn in soft grey and warm amber tones on a calm light background
Collection

H-Cut by Barış Gün

Wooden cutting-boards that double as serving platters — a functional series within the Atlas Harran Design Collection, handmade by women in Harran.

The Series

Boards made to be used and shared

Barış Gün designed a group of wooden cutting-boards which can also be used as serving platters. The pieces move easily between preparation and the table, so the same object carries the food from the kitchen to the guests.

H-Cut sits alongside the other designs of the Atlas collection, which translates Mesopotamian knowledge and aesthetics to our times. Every piece is produced by hand by women in Harran, including local and Syrian women, at the ADEM (Family Support Centre) within the Governorship of Harran.

See the full collection or read more about the designers and curators.

The H-Cut series sits within the wider Atlas Harran Design Collection as a quiet study in usefulness and warmth. These wooden cutting boards are shaped to move easily between preparation and the table, so the same piece carries food from the kitchen to the guests without ceremony. There is an honesty in that gesture: an object made to be handled, washed, worn, and shared rather than admired from a distance. In a collection that translates Mesopotamian knowledge and aesthetics into our times, such everyday tools feel entirely at home, since the region's long story is one of craft tied closely to hospitality.

Material and form carry the collection's broader conversation about place and memory. Wood, cut and finished with care, brings a living texture into the home, one that ages alongside the people who use it. The boards reference a long lineage of making in the plains of Harran, where civilizations settled and layered their knowledge into daily life. Rather than reproducing ornament, the series lets that inheritance appear in proportion, grain, and the simple confidence of a well-made surface. It is a contemporary translation, speaking to present-day tables while keeping older rhythms of craft gently present.

Behind the pieces stands a design economy that values the people who make them, with the work handmade by women in Harran and connected to a wider discussion of sustainability and social meaning. Curated with attention to how global design conversations meet local skill, the collection treats craft as a living practice rather than a fixed tradition. Each board invites a small ritual of serving and sharing, carrying forward themes of hospitality and abundance that run through the Atlas story. In this way the series remains both practical and reflective, a useful object with roots that reach further than the kitchen.

Graphite pencil sketch of wooden cutting boards in several shapes arranged with fresh fruit, cheese and basil, drawn in soft grey line work against a calm blue-toned background
Wooden boards in varied shapes, used for cutting and for serving.
Details

At a glance

Design H-Cut
Designer Barış Gün
Material Wood
Function Cutting-boards that can also be used as serving platters
Production Handmade by women in Harran at ADEM (Family Support Centre)
Curators Bilgen Coşkun and Dilek Öztürk
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Other pieces in the collection

The collection brings together tableware, textiles and accessories by a group of designers working with Mesopotamian references.

Mırra

A coffee cup series by DAY Studio, a contemporary translation of the Mırra cup with its long tradition in Mesopotamia.

View Mırra

Celestial

Sin, Shamas and Ishtar by Begüm Cana Özgür, drawing on the astrolatry belief of the Haranians.

View Celestial

Designers & Curators

Profiles of the curators and the designers behind the Atlas collection.

Meet the creatives